進念.二十面體

Zuni Icosahedron

HK 香港上環永樂街60-66號昌泰商業大廈2字樓203-4室 28938704 藝團

進念.二十面體 簡介

- 建立香港為實驗戲劇的國際交流中心

- 普及社會對戲劇和實驗藝術的認識

- 成為藝術水平達世界級的實驗戲劇團體

- 培訓多方面的藝術專業人才

Company Overview

進念.二十面體

香港實驗劇場的先鋒

1982年成立,以香港為基,面向世界的國際實驗劇團,現為香港九個主要專業藝術團體之一。原創劇場作品超過二百多齣,曾獲邀前往演出及交流的城市遍及歐、亞、美等地六十多個城市。進念並一向關注香港以至於整個亞太地區的文化發展,積極推動策劃及參與的各類型文化交流計劃已超過一百項。於千禧年協辦的「香港柏林當代文化節」為首個歐、亞兩地跨城市的大型文化交流計劃。

進念的劇場創作,一直以其對媒體科技發展的敏銳觸覺,詮釋多媒體創作與劇場演出的互動關係,實驗與探索“舞臺空間”不同形式和內容的可能性。由早期非敍事、形體,與舞臺空間的互動實驗,到近十年光、影、聲、空間的多媒體設計,由跨媒體舞臺表演空間,到跨界別政治民生空間,到跨地域國際文化交流空間,由流行普及到社會禁忌,由傳統到當代…進念的實驗性和顛覆性,不斷啟發著華人社會的藝術和舞台美學發展。進念二十面體 

 

- To establish Hong Kong into a centre for experimental theatre and international cultural exchange

 

- To make theatre and experimental arts more extensively known to the public

- To turn Zuni into an experimental theatre group with a world-class artistic level

- To nurture professional creative talents in various fields

Company Overview

Zuni Icosahedron

The foremost of experimental theatre in Hong Kong

Founded in 1982, is a Hong Kong based international experimental theatre company. Zuni has produced more than 200 original productions of alternative theatre and multimedia performances, and has been active in video, sound experimentation and installation arts, as well as in the area of arts education, arts criticism, cultural policy research and international cultural exchange. Over the years, Zuni has been invited to more than 60 cities in Europe, Asia, and America for cultural exchange and performances. In the year 2000, Zuni co-presented “Festival of Vision: Berlin / Hong Kong”, the first ever large-scale cultural exchange between Asia and Europe. Zuni is one of the nine major professional arts companies in Hong Kong, and has established itself as a premiere experimental theatre locally, regionally and internationally. 

Zuni’s theatre has always stayed on the cutting edge of media technology in presenting the interactive relationship between multi-media and theatre, as well as in probing the possibilities of form and content in 'theatre space' through experimentation and exploration. Zuni has been most inspiring in developing the aesthetics of theatre in Chinese society, with its experimental and subversive nature, and this could be seen in the interactive experiments in the narrative (or rather non-narrative), form and space in its early works. The same spirit could be found in the multi-media design in lights, images, sounds and spaces as in the attempts in the area of cross-media performances, to cross-boundary political and civil area, and to cross-region international cultural exchanges. The topics covered stretch from popular culture to social taboos, from the traditional to the contemporary.

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